A tail of two Easter portraits

Pull out the live bunnies - or just the bunny ears - with these great tips on taking your own Easter portraits! We're showcasing two different professional Momtographer's approaches to getting great Easter-themed pics. Whether you've ironed the heirloom gowns, or opt for the more casual cottontail, these portraits are certain to inspire a spring fling of your own!
The bedsheet - A Momtographer's Homemade Diffuser

Have you ever wondered why professional photoraphers need assistants? It's not so that the photographer doesn't have to carry their own bags (though I'm sure there are some photogs who see it that way!). It's because the photographer needs to be able to focus on the moment that tells the story - even if the backdrop and lighting surrounding the story isn't the best shooting scenario. By taking care of small details that would otherwise make a scene unusable, an assistant frees up a photographer to work their creative and technical magic. Maybe it's holding a reflector to bounce more light into an area - or maybe it's using a diffuser to diffuse harsh lighting - there are so many things that an extra set of hands just out of the frame can do to help make magic within the frame!
Today I got in a little practice being the mommy of two - though I'm sure a real mom of two would tell me that I was cheating - I had two three-year-olds! We did all of the fun things that three girls could possibly do without a sleepover and nailpolish. We got smoothies ("Hey Sydney's mommy - are we going to the movies?"). We went to a jewelry store where they ran to the engagment rings like tiny moths to a flame... proof that diamonds are in our DNA! We even went to the toy store!
I had a return to make to the local 'R' Us, so I obliged them to a walk through the store, store-credit in hand. We ran through the bouncy balls and tinkered with the toy trains, but when we got to the end of the play kitchen aisle, both girls stopped in their tracks, mouths gapped in awe. There, behind a wall of cardboard and cellophane was a shiny red cash register - complete with a headset, walkie talkie, hamburgers, frieds, chicken mcnuggets, a happy meal box and CREDIT CARDS! I didn't even pretend we were going to fight it.
When we got home, I tried to direct the girls to set up shop in the open shade of the back porch. No.such.luck. "Old McDonalds" was destined to go into business in one of the least ideal places in the yard - under the playhouse. As the bright full sun was lowering in the sky, the girls weren't safe from it's glare - but they didn't care - they had a drive-thru window! Meanwhile, mommy was stuck with the worst contrast imagineable, peppered with the shadow of the monkey bars overhead.

So I pulled out my pop-up diffuser - a round, white disk that photographers use to soften harsh lighting situation. But professionals usually have someone or something holding it into place - I needed it just over their heads at a 45 degree angle. Clearly I wasn't going to be able to hold it and shoot. ASSISTANT!!!! (crickets.)
Enter the bed sheet. I grabbed an old sheet that we use to cover plants on the coldest of nights and tied it to the monkey bars. VOILA! It wasn't edge to edge coverage of the drive-thru, but it bought me some even open shade! Next time I'll actually take the time to march indoors and find a white sheet because the redish plaid did give off a color cast that I'll have to work on in my photo editing software, but hey - it did the job! And bed sheets can be tied almost anywhere - to tree limbs, fence posts - anywhere you need the harsh lighting of the sun diffused.

"Welcome to Old McDonalds, may I take your order please?"

"Okay, one french fry, one chicken nugget, one diet coke - would you like an ice cream?"

"Thank you - have a nice day ma'am."

Photographing Your Infant

I love the internet - where else can you catch up with someone you haven't seen since high school and pick up instantly? Well, I haven't seen my friend Courtney in *ahem* a number of years, but from her Facebook page it seems the only thing that's changed about her is the number of gorgeous children… including her latest who is 5 months old today!
So in celebration of today Courtney, here are some tips for capturing your baby boy!
First things first - find your pocket of great light. Where are the good windows in your house? Glass doors? No glass doors? Take advantage of this gorgeous weather we're having down south and open one up! Windows and doors take the bright sun and diffuse it into gorgeous portrait-taking light, so find your best and brightest portal and plop that baby boy down at the edge of the light. (Or you might want to try a baby doll first so he's fresh when you get your camera settings perfect!)
What do I mean by the edge of the light? Here… see how my not-so-little one *sniff* is positioned just on the shadow side of the light?

Now look what happened when I put my duff down just inside the door - me sitting in the light, and her just on the other side - magic! And since she's facing the light - look at what it did to her eyes!

Now lets talk about backgrounds. From what I've seen on facebook, your little man should be lifting his head and pushing up. Since we want a decluttered backdrop, use a bench, ottoman or even a chair like the one Sydney's sitting on and place it behind him. Now take a very neutral blanket (dark and heavy wools, felts, etc work nicely - but so do plain white down comforters!) and drape it over the back of the ottoman spilling onto the floor under him. It doesn't have to be perfect, just make sure it's not distracting. If it's large enough, you could even put a boppy or a dog pillow underneath it to give him some reinforcement.
Next - you have a Sony DSLR-A300 camera, so rather than get into how to use your manual controls (because I'm just not familiar with your camera!), lets try and take advantage of the built-in portrait mode. That should be your equivalent of Aperture priority mode. While you're at it - turn off your flash! You want all natural light here. According to the Sony Website, there should be a "flash off" position on the Exposure Mode dial.
Also, check your ISO. If you find a really great pocket of light, you should be able to stay between 100-400. The lower the ISO the better RAW files you have to work with on in your computer. How do you know what that number should be? Take a test picture. Too dark? Bump your ISO. But be careful - go too high and you'll introduce noise.
Speaking of Raw files, are you shooting in RAW or JPEG? For these precious portraits, you want to be in RAW, or at the very least, RAW + jpeg so you have both on hand. Just make sure your memory card is clean so you have lots of room!
Okay - now that you're done with your menus and dials, get on your belly and shoot! Go eye to eye with that baby boy. Connect, laugh, tickle, sing Elmo songs! Don't just rely on your zoom - get in close with your camera. You don't have to see the whole blanket in every shot. What if you just got his head? Just some toes? Get down low with him and just see what happens! Just make sure he stays facing the light!
And finally - come over to the boards and show us your pictures!!
Open Shade

If every day were a bright cloudy day, the world would be yours for the picture taking. Ah - if only we controlled the weather, right? But since we haven't yet figured out how to cue the clouds, we have to look for "pockets" of good light to optimize our picture taking conditions. Enter your friend, open shade.
Just like it's cousin, the cloudy day, open shade creates conditions favorable to picture taking because it is an evenly-lit soft place. When taking photographs outdoors with all-natural light, your biggest obstacles are hard-cast shadows and extreme brights and darks.
So what is it? Open shade is the place where light and shade meet to create an evenly lit space that is just off of the bright light, but not in it. You find it by looking for the hard line at the edge of the light - and then place your subject TOTALLY IN THE SHADE, but FACING the light.
Think garages, doorways, porches, overhangs, and alleyways. Anywhere a nice solid shaded area comes smack up against a wall of light.
You would never know by looking at this picture that just in front of Chloe was the high noon Las Vegas summer sun! The ottoman that she is laying on is right up to the edge of a cabana opening where she is facing that bright light, but not actually in it. 1/2 a foot back towards the wall and it she would have fallen into the dark. 1/2 a foot forward and it would have been too bright for a good picture! But right at the edge of where the two meet is MAGIC!

What to watch out for -
A common mistake made by beginners and (surprisingly) even some seasoned momtographers is when looking for open shade they go right to that beautifully shady spot under the tree in the backyard. While this may seem like a great idea, unless your shade tree area is very dense, most trees create what is known as dappled light. You know when you look at someone and see cheetah-like spots all over them from the shadows created by light coming through the trees?


Look at the top picture! The baby's got spots! What looked like a nice shady area really wasn't one!
Now look at the spots on the ground all around the stroller - that should have been our first warning. Before you start snapping under the tree - inspect the ground - do you see any of the telltale spots? If not, then go for it. If so, then it's really not true open shade - it's more like broken shade!
Again, your safest bet is to look for true shade next to or under a real stucture. Find that line between light and dark - put your subject i n the shade facing the light and VOILA!