Monday, 04 January 2010 02:29

Learn By Looking

Written by Administrator

Okay Miss Hands-On Learner... this section is for you!!! We're taking everything we talked about in Momtography 101 and showing you how it plays out in real life.  Browse through the pictures, read the stories and diagrams, and take note of the camera settings.  Of course, your settings will vary on the amount of light around you - but as you absorb these story-driven lessons, you'll begin to see how they intersect with the real-life photo ops all around you!

So click through our cuties and fear our "diagramic art skillz"! We hope you'll enjoy "Learn By Looking".

If you would like to submit a photo for our Learn By Looking section, please email it for consideration to: This e-mail address is being protected from spambots. You need JavaScript enabled to view it along with settings and a description of how you captured the shot.  Don't worry about the diagram - we'll butcher that take care of it for you!

In photography, the term angle can be used to describe the viewpoint from which a photograph is taken. A low angle (or up angle) means that the camera was low to the ground and the lens was tilted up at the subject. A high angle (or down angle) means that the camera was pointed down at the subject. Because angles generally give different viewpoints than people experience just walking around, they make images more interesting and can add a wide variety of storytelling effects to your photography!

If you are looking for one fast, easy, who cares what kind of camera you have - foolproof way to put the "OH SNAP!" into your snapshots, this lesson is for you!

One of the most common mistakes people make when taking pictures is that they don't consider the vantage point they are shooting from. It's really a shame because using interesting angles is one of the most powerfully simple ways to improve your photography. Angles are good for all kinds of things - making someone look taller, shorter, skinnier, bigger, you can even use them to isolate your subject and get rid of unsightly backgrounds. That's just the tip of the iceburg!

So from this moment on, get used to the idea that, in order to creat that oh so perfect photo, we will probably find you laying on the ground, kneeling on the gravel, curled up in a corner, or standing on a ladder - any number of uncomfortable places and positions, all in the name of Momtography! Trust us, once you see the results, you'll be doomed to never take a "normal" photograph again!

EYE LEVEL

Chloe is known around her block and on the playground as the stare-down queen! Wanting to see if she had rightfully earned this title and get a taste of what the other two-year-olds were up against, Krista got down on her knees, pointed her lens directly between her eyes and snapped! Boy did Chloe let her have it! Clearly she has earned her title!

Moving to eye level is what you do when you want to capture the world as your little one is experiencing it. It transposrts you directly into their space, giving you a front-row seat to what they might be thinking. In fact, out of all the angles we're about to showcase, you should consider the eye-level angle your "staple" position. It won't always be the most artistic, but it's the most consistently pleasing. It also sets you up to get genuine eye contact when your little one graces you with it! This isn't a tough lesson at all - an eye-level angle is exactly what it sounds like. Do what it takes to line up your lens with your child's direct line of sight and you've got it!

THE UP ANGLE

It's the most magical place on earth. Unless you're trying to get a picture of JUST your child. And then, faster than you can get run over by a stroller, it threatens to be the most frustrating place on earth. Never fear - this momtographer perservered - and it was an angle to the rescue... the UP angle.

Adrienne tried earlier in the day to get pictures in front of the castle, but Cinderella has many admirers, and they ALL showed up for their picture time. Late that afternoon, stunt dad came up with an idea. He hoisted Sydney up on a pillar just off of Main Street U.S.A., careful to keep his hands around her waist and duck down so mommy could set up the shot. Sitting on the ground looking up, Adrienne leaned back and tilted her camera to the sky until all fanny packs and straw hats disappeared.

Distance was key - too close to the pillar and Adrienne would have had a nice shot of her daughter's knees and nostrils. Too far back and she'd get floating tourist heads. So after scooting back and forth on the pavement a few times, she waited for the baloon to clear the castle and SNAP SNAP SNAP SNAP SNAP!  She made her own magic!

THE DOWN ANGLE

One of our very favorite things about taking pictures is the different stories that can be told based on the viewpoint they're taken from. Like in this photo of Luca, Krista's youngest.

Krista grabbed her camera after noticing her youngest in a rare moment of contemplation with her signature two-fingers in her mouth (rock and roll baby!). She likes to experiment with angling her camera down, almost standing over her girls to capture them as she, the big tall mommy, sees tiny little them. That angle rewarded her with a picture that says more about the tender and dreamy emotion Krista was having towards her daughter than whatever sweet wonder was going through Luca's tiny little head.

Now if you know Chloe, you know that at two she's already Krista's tomboy diva princess. Here she is lying on the floor giving Krista a chance to stand over her and capture her royal fierceness, complete with temporary tattoo. As you can see from this example, there's so much depth created by her lying on the floor with her arms outstretched! Shooting almost directly down at her is what made this photo so, wel, fierce!

So now that you've witnessed first-hand the power of angles, don't ever just stand up and take a picture.  Pause to consider the vantage point from which you'll be telling you little one's story - it will make all the difference in the world!


Hey you photo buff (or aspiring one!)...

This section is for you! It’s the meat. The comprehensive pieces of the puzzle that will help you harness the power of your camera and turn it into some serious snap.

Photography, at its core, is the science of capturing light.  When that light is interpreted by your camera’s sensor, it becomes an image. In order to understand how to capture that light, there are some things we have to break down that end up looking and sounding more like a science lesson than your regularly scheduled Momtography program.

But we know that you care infinitely more about the end product than the equations and technicalities that get you there. We just want to take great pictures of our kids! So we've taken the advanced side of photography and stripped it down to the nuggets you must know to achieve your goal.

We call it The Momtographer's Methodology. It's where we take out the irrelevant, break down the jargon and tell you what it all means to a time-crunched mom. If you keep searching beyond our site, you will see that all of this stuff has much broader implications then what we are presenting, but do you really care? We didn’t think so!

So go hide in a corner with a delicious beverage of choice and dig in, it won’t take long and you can go back to doing what you love best, USING your camera to capture all those things that make you smile.

If, you haven't already, switch your camera dial to "M" (manual), grab the camera manual that you probably banished to the basement and dig in!

Wednesday, 02 December 2009 16:16

First Things First

Written by Administrator


If you haven't yet, take a moment to create an account with us so that you can take full advantage of our community of Momtographers!  It will be an invaluable step on your Momtography journey! 

 Our community is made up of Momtographers of all skill levels who are here to support, guide, and ooogle over your kids.  Get answers to your questions, ideas for your next shoot, and start making friends.  Put simply - it's just not as fun without them!

See you on the boards!

 

Placeholder for the Golden Hour

Friday, 20 November 2009 02:12

Silhouettes

Written by Administrator


If backlighting is what happens when your subject is lit from behind while you expose for their face, then silhouettes are what happen when a subject is lit mostly from behind and you expose for the light.

Silhouettes are created in extreme lighting situations when the light behind your subject is bright and the light on and in front of your subject is low. When you expose for the bright background, you render your foreground and suject to be darker, giving you a silhouette.  It's a great storytelling trick that puts just the form or the "idea" of your subject completely in context with it's background.  Just look at this story told at the beach near sunset...

When using a point and shoot camera or shooting in automatic, turn off your flash and the camera will do the work for you - automatically exposing for the brightest part of the image (the backlight). When shooting in manual, spot meter for the background (the brightest light) by pointing your camera at the backlight and get your settings from there!

One of the best things about Silhouettes? They're easy to accomplish with just a little bit of trial and error and they go a long way to help you understand how your camera handles exposure.  Artsy and informative - what's not to love?!?

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